You can find new dungeons to explore at set points in the story, where you'll find some Furies to collect (along with the fairies that inhabit them and/or possibly another fencer). It's quite fast-paced, as well-the handy L2 button allows you to skip a lot of long-winded combat animations. It's a neat system that makes the combat considerably more engaging. However, playing overly defensively-using lots of healing items and spells, retreating from enemies, running away from battle-reduces the tension, and if it dips below a certain point, your combat efficacy will suffer.
Once tension reaches a certain point, characters can "fairize," transforming into quasi-robot-armored fighters with access to special, super-damaging techniques. The majority of Fairy Fencer F's cast was ripped straight from the pages of Anime Character Tropes You Can Implement Easily.Ī neat addition to the formula is the tension gauge: as characters attack and use skills, their tension increases and multiplies the damage they deal. This kind of cringe-worthy dialogue is par for the course. The basics aren't tough to grasp, and as you earn more weapon points in battle, you can customize your stat boosts and add multi-hitting combo capabilities to your characters' strikes. Combat is turn-based with positioning elements: You and your enemies move around a small field and trade blows with each other, launching area-of-effect spells and utilizing strategic positioning to your advantage. Much to my relief, exploration and combat are a fair bit more energizing than watching barely-animated character cutouts complain to each other. Saddled with a party of people I would have liked to punch in the face given the opportunity, I ventured out into the exploration portion of Fairy Fencer F. Certain party members become more tolerable as time goes on, but it's hard to shake those awful first impressions. Suffice to say, it takes a fair amount of time before a truly likeable character joins the troupe. Notice a theme here? The majority of Fairy Fencer F's cast was ripped straight from the pages of Anime Character Tropes You Can Implement Easily.
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She also doubles as an exposition machine, teaching you about the plane beyond reality where the Goddess and evil deity are sealed and giving you a free inn to recover at-when she's not being bossy and condescending. I soon met Tiara, a stuck-up, bratty fencer who harbors a genre-standard terrible secret. Fairy Fencer F's least irritating character. Eryn is more likeable, though the moment another female appears on the scene she goes into (similarly unfunny) jealous-possessive-angry mode.
Fang’s annoyance at having such a burden suddenly dropped on him is understandable, but his continued whininess and apathy is exceptionally irksome. All he wants is tasty food (a running obsession that becomes unfunny almost instantly), but, upon yanking out the sword, he is greeted by semi-amnesiac Eryn, told he is a legendary fencer, and asked to free the world's Goddess from her stasis by finding and using Furies, fairies trapped in mythical weapons. You see, as the game begins, Fang is told by a shopkeeper that if he is capable of pulling out a strange sword embedded in a rock, he will be granted any wish he desires. Fang's excessively cynical and derogatory attitude is likely to grate within mere minutes of starting the game, in which he constantly complains about his new path in life. How unfortunate, then, that Fairy Fencer F is no glorious return to the heyday of the JRPG, but rather a strange, distorted effort, terrifically fun in bursts but plagued by unfortunate technical issues.įairy Fencer F is the story of young warrior Fang and his fairy partner, Eryn. Consider the alliteration in Fairy Fencer F’s title, which calls Final Fantasy to mind, or the game’s development team, which includes composer Nobuo Uematsu and artist Yoshitaka Amano, both of Final Fantasy fame. Conceptually, Fairy Fencer F would seem to be a return to the roots of the JRPG genre: a traditionally-styled game with a distinctly Japanese story and aesthetic.
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